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Psychoanalysis of Victor Frankenstein Frankenstein by Mary...

In Mary Shelley s Frankenstein, Victor Frankenstein creates a monster that murders several people, and then flees through Europe to the Arctic Circle. In the beginning of the story, it seems that Frankenstein is simply a scientist chasing a pipe dream of finding the key to eternal life, but closer analysis of the text reveals that Frankenstein is not sane, and possibly suffering from one of many psychology disorders, causing hallucinations and psychosis, it is my contention, that Victor Frankenstein is his monster. Sanity is defined as the quality or state of being sane or the soundness or health of mind by the Merriam-Webster dictionary. Victor Frankenstein shows several obvious signs of being not sane by our standards, among them are†¦show more content†¦(Wikipedia, Dissociative Identity Disorder) Frankenstein s inability to physically capture the creature, but to have conversations and arguments with it, are underlying signs that Victor Frankenstein is the monster. Social Isolation can also have incredibly devastating effects on psychological health. When a person is isolates themselves from the rest of the world for a long period of time, like Victor Frankenstein did to complete his work, there are several different psychological effects ranging from depression to vivid hallucinations, Psychological problems reported included anxiety, depression, sleep disturbance, withdrawal, regression, and hallucinations.(Kellerman, Rigler, Seigel par 1). Incredibly severe cases of social isolation can be seen in feral children. These children, who are isolated from contact and interaction with humans, whether by abandonment or neglect, have no linguistic ability, have countless psychological issues in our society once they are discovered, and in general appear to behave as wild animals. (Feral Children). It is possible that due to the isolation, Frankenstein s alter-ego, the monster, does not have complex communication ability that most people have, and h as to relearn how to interact with people by reading. There is also a chance that Victor Frankenstein could also have schizophrenia, either as a symptom of DID, or as its own mental illness.Show MoreRelatedMARY SHELLEY’S FRANKENSTEIN: A PSYCHOLOGICAL REPRESENTATION OF HER FEAR OF CHILDBIRTH1694 Words   |  7 Pages HUMN 303 Week 7 Assignment Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirthRead MoreEssay on Psycho-Analysis in Mary Shelleys Frankenstein2375 Words   |  10 PagesPsycho-Analysis in Mary Shelleys Frankenstein Sigmund Freuds studies in psychoanalysis are uncannily fore-grounded in the late romantic period. The works of William Wordsworth, Percy B. Shelley, Lord Byron, and Mary Shelley, all function as poetic preludes to Freuds 18th century field. Particularly, it is Mary Shelleys Frankenstein that creates a fictional rendering for psychoanalyst. In Frankenstein, Victors rejection of the Monster metaphorically represents the egos rejection of theRead More The Id, Ego and Superego Shown in Frankenstein and Dr. Jekyll and Mr. Hyde1454 Words   |  6 PagesFrankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus shows Freuds stages of psychosexual development. Collectively both novels should be considered Freudian through these ideas. Jekyll and Hyde works as a symbolic portrayal of the goodness and evil that resides in equal measure within the soul of a man. It pre-emptedRead MorePursuit Of Knowledge In Frankenstein1866 Words   |  8 PagesIn the gothic novel, Frankenstein, written in 1818, author Mary Shelley tells a blood chilling story of Victor Frankenstein and his monstrous creation. Many of the main concepts in the Romantic literary movement are prevalent throughout the novel. Some of these concepts include nature as beauty and truth, strong personal motivation, and gothicism which inhibits intense emotion and complex psychology. Victor’s   monstrous creation can be categorized as a romantic hero because of his continuous rejectionRead MoreFear Oneself : Freud s View On Psychoanalysis Essay1247 Words   |  5 PagesFear Oneself: Freud’s View on Psychoanalysis â€Å"There is no question therefore, of any intellectual uncertainty here: we know now that we are not supposed to be looking on at the products of a madman’s imagination, behind which we, with superiority of rational minds, are able to detect the sober truth; and yet this knowledge does not lessen the impression of uncanniness in the least degree† (Freud 424). Freud’s concept of psychoanalysis revolves around and into the minds of characters in every literaryRead MoreEssay on Creation and Alienation in Mary Shelleys Frankenstein3425 Words   |  14 Pages Throughout Mary Shelley’s Frankenstein, also known as The Modern Prometheus, this notion of alienation, is an illuminating theme that is manifested throughout the story. Another theme is that of creation, in which Victor Frankenstein, a main character in the book, usurps the role of God by giving life to a creature in his laboratory, but by artificial means, rather than conceiving one legitimately. Fu rthermore, the underlying factors of creation, that are carried out by Frankenstein, as well asRead MoreFrankenstein, By Mary Shelley1603 Words   |  7 Pages Mary Shelley’s Frankenstein was written during the Romantic period. If follows the trend of romantic novels of containing gothic themes, but with more profound meaning in the message that the novel tries to convey. Shelley’s use of imagery especially of the monster and how people react upon seeing him is an perfect example for how she held a broken mirror to society showing how people react to things that are different and unknown. In the novel the monster is a greater metaphor for people thatRead MoreAnnotated Bibliography On The Novel Frankenstein 764 Words   |  4 PagesAnnotated Works Cited Bentley, Colene. Family, Humanity, Polity: Theorizing the Basis and Boundaries of Political Community in Frankenstein. Bloom s Literary Reference Online [Facts On File News Services]. N.p., 2005. Web. 26 Apr. 2015. This source went over multiple themes in the novel Frankenstein, one of them being the pursuit of knowledge. I found this as a great example of the pursuit of knowledge, and was compelled to use it for one of my notecards. Birkhead, Edith. Later DevelopmentsRead More Essay on Shelleys Frankenstein and Miltons Paradise Lost3164 Words   |  13 PagesShelleys Frankenstein and Miltons Paradise Lost   Ã‚  Ã‚  Ã‚   Even upon first glance, Mary Shelleys Frankenstein and John Miltons Paradise Lost seem to have a complex relationship, which is discernible only in fractions at a time.   Frankenstein is Mary Shelleys reaction to John Miltons epic poem, in which he wrote the Creation myth as we perceive it today.   His characterizations of Adam and Eve and the interactions of Satan and God and the impending Fall seem to have almost taken a Biblical proportionRead More The Quest for Nothing in Mary Shelleys Frankenstein Essay2228 Words   |  9 PagesA Quest for Nothing in Shellys Frankenstein    The last chapter of Mary Shellys Frankenstein concludes Victor Frankensteins search for the monster. His obsession with finding the wretch leads him into the most desolate territories in the world, led on with clues left by the monster itself. The motive for his quest goes beyond the desire for revenge, but is shaped over the primal need for Victor to become the ideal self. The monster, in which Victor placed his most intense hours of isolated

Judgment day. Essay Example For Students

Judgment day. Essay The title of this column is intimidating me. It keeps sounding like Last Will and Testment. I, Christopher Durang, being of sound mind and not on antidepressants, do hereby bring this edition of this magazine to a close. And to my beloved housekeeper, I leave all previous editions of this magazine, as well as a subscription to Backstage and Variety. And a video copy of Beyond the Forest, the film in which Bette Davis says What a dump. Then again, maybe Last Word isnt meant to be a will; instead perhaps its the title of the Sermonette that comes on the TV screen when the television station goes off the air at five in the morning. (Except that TV stations never go off the air anymore.) Television viewers, I say sincerely, wearing a dark suit and with my hair combed, at five in the morning its time to remember our connection to the universal truth. Weve watched the news six times now, watching the special report about 15-year-olds who kill 14-year-olds for sneakers all six times; weve heard about Bill Clintons phone calls to various women in various area codes; weve heard the weather five times; and weve yet to rid our memory of the TV movie from earlier in the evening, in which Judith Light, as a horrifically battered woman, exploded a nuclear device to kill her abusive husband, but inadvertently killed all her neighbors as well. Thats a lot of clutter in our minds, and its now time, for a few minutes at five a.m. before it all starts up again at six a.m. with Morning Stretch, to let the chatter of the day come to an end and let quiet pass over us. Last Word also sounds possibly like the end of the world, and this rather intrigues me. I share with the Fundamentalists a desire for a Last Judgment, where God will get the Last Word and you will find to your delight that in most ways God agrees exactly with you. With the assembled souls of all eternity before Him, God will clear up various controversies. As to artificial birth control, God will say, I have no idea what all those Popes were going on about. Of course it was fine. What a tempest in a theological teapot. The soul of Pope Paul VI will look suitably embarrassed. Various mysteries will be clarified at last. I will now tell you who was behind the Kennedy assassination, God will begin. Many of us will scan the crowd of souls looking for Oliver Stones aura, to watch him (or it) react to whatever the news is. Then, to the surprise of people not in theatre, God will devote a certain amount of time putting straight injustices that happened in American theatre. As good as Carol Channing was in Hello, Dolly, God will say, nonetheless the Tony award should have gone to Barbra Streisand that year. God will then look for Walter Kerr. Walter Kerr was right on My Fair Lady (Though who wasnt? a catty angel may mutter) but he was very incorrect not to like Christopher Durangs Beyond Therapy, which was very funny. God will then beam at me, and I will beam back. What did you think of the play Mary, Mary? I may call out, if Im not careful, referring to the popular 1950s comedy written by Jean Kerr. It was entertaining for its time, God will say, frowning slightly at my lack of grace in bringing up Walter Kerrs playwright wife at this point of Judgment Day. Lunch Hour, though, was very hard to sit through, God will add, momentarily distracted from his agenda. Now as to The Kentucky Cycle God will begin. .u5804d6156cf42d87d2f26412982fcd62 , .u5804d6156cf42d87d2f26412982fcd62 .postImageUrl , .u5804d6156cf42d87d2f26412982fcd62 .centered-text-area { min-height: 80px; position: relative; } .u5804d6156cf42d87d2f26412982fcd62 , .u5804d6156cf42d87d2f26412982fcd62:hover , .u5804d6156cf42d87d2f26412982fcd62:visited , .u5804d6156cf42d87d2f26412982fcd62:active { border:0!important; } .u5804d6156cf42d87d2f26412982fcd62 .clearfix:after { content: ""; display: table; clear: both; } .u5804d6156cf42d87d2f26412982fcd62 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5804d6156cf42d87d2f26412982fcd62:active , .u5804d6156cf42d87d2f26412982fcd62:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5804d6156cf42d87d2f26412982fcd62 .centered-text-area { width: 100%; position: relative ; } .u5804d6156cf42d87d2f26412982fcd62 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5804d6156cf42d87d2f26412982fcd62 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5804d6156cf42d87d2f26412982fcd62 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5804d6156cf42d87d2f26412982fcd62:hover .ctaButton { background-color: #34495E!important; } .u5804d6156cf42d87d2f26412982fcd62 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5804d6156cf42d87d2f26412982fcd62 .u5804d6156cf42d87d2f26412982fcd62-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5804d6156cf42d87d2f26412982fcd62:after { content: ""; display: block; clear: both; } READ: Scenes from an Execution EssayBut then I dont know that I really believe this Last Judgment will happen. I have a feeling God didnt see Beyond Therapy (although maybe he read a script readers report on it). And probably at the Last Judgment, God wont mention theatre at all. Or if He does, I dont think Hell refer to critics or stage comedies by either me or Jean Kerr. Probably hell mention Aeschylus. (Very cathartic, God may say.) And maybe Plautus. (Entertaining use of stock characters, God may opine.) And then maybe God will bore us by talking on and on about Shakespeare. What a genius for character and language that Shakespeare had. I love all that death-and-resurrection imagery in The Winters Tale. And theres an excellent symbolic use of the seasons, something Im partial to. Among the souls gathered, professors of English literature will perk up and hang on every Divine word. I also identified with Prospero in The Tempest, God will say. Though I never understood mankinds obsession with Hamlet. I thought it was one of the talkier ones. Several professors will look abashed. Maybe I saw too many versions of it, God will say kindly, trying to make them feel better.